Prompt

Prompt

Model: Nano Banana

Description

Create a photorealistic photo of me, preserving my appearance from my photo, not the person in the scene reference. Vertical format 4:5, aesthetic of a spontaneous night snapshot on a compact camera with direct flash. I am wearing an oversized faded graphite hoodie with the hood on, dropped shoulders, and a small white text on the chest; wide scuffed grey-olive cargo pants with patch pockets, long legs partially covering massive black footwear. Matte fabrics, natural folds, no bright accessories. I am crouching on the left, knees spread apart, body slightly tilted forward and turned towards the camera. Left arm extended to the right, palm resting on the head of a huge alligator; right arm hanging freely between my knees. Head facing the camera lens, calm pose. The alligator occupies the right half and foreground. Large head close to the lens, mouth wide open showing teeth and a light pinkish-yellow interior. Dark scaly body extends diagonally toward the upper right edge. Realistic anatomy and natural contact between palm and head. Camera at seated eye-level, pointed slightly down; lens around 28mm, no fisheye. Pose, shoes, and open mouth fully in frame; dark space above, dry sandy ground with stones, leaves, and twigs below. Behind, trees and dense vegetation are barely visible, with no people, buildings, or background lights. Harsh direct flash brightly illuminates the foreground, creating highlights on scales and deep shadows; mouth is slightly overexposed in places. Muted graphite, olive, and earthy palette, slightly greenish shadows. Grain, light noise, and softness of fine details. No commercial gloss, studio lighting, fog, HDR, excessive sharpness, or 3D effect.

The Prompt

Create a photorealistic photo of me, preserving my appearance from my photo, not the person in the scene reference. Vertical format 4:5, aesthetic of a spontaneous night snapshot on a compact camera with direct flash. I am wearing an oversized faded graphite hoodie with the hood on, dropped shoulders, and a small white text on the chest; wide scuffed grey-olive cargo pants with patch pockets, long legs partially covering massive black footwear. Matte fabrics, natural folds, no bright accessories. I am crouching on the left, knees spread apart, body slightly tilted forward and turned towards the camera. Left arm extended to the right, palm resting on the head of a huge alligator; right arm hanging freely between my knees. Head facing the camera lens, calm pose. The alligator occupies the right half and foreground. Large head close to the lens, mouth wide open showing teeth and a light pinkish-yellow interior. Dark scaly body extends diagonally toward the upper right edge. Realistic anatomy and natural contact between palm and head. Camera at seated eye-level, pointed slightly down; lens around 28mm, no fisheye. Pose, shoes, and open mouth fully in frame; dark space above, dry sandy ground with stones, leaves, and twigs below. Behind, trees and dense vegetation are barely visible, with no people, buildings, or background lights. Harsh direct flash brightly illuminates the foreground, creating highlights on scales and deep shadows; mouth is slightly overexposed in places. Muted graphite, olive, and earthy palette, slightly greenish shadows. Grain, light noise, and softness of fine details. No commercial gloss, studio lighting, fog, HDR, excessive sharpness, or 3D effect.